"The Cyper Space – REWORKED" ONE ALBUM. TWO ERAS. ONE VISION.

"The Cyper Space – REWORKED" is a radical reinterpretation of the legendary studio album by Robotiko Rejekto, completely redesigned by co-founder Ralf Henrich (aka RAHEN). Every track from the original album is reimagined, reproduced, and re-envisioned from the ground up—not as a mere remaster, but as a contemporary artistic rebirth.

At its core lies the fusion of analog studio technology and digital workflow, enhanced by AI sophistication. Classic hardware, vintage sound generators, and the signature style of early Robotiko Rejekto productions collide with modern production methods, sound design tools, and artificial intelligence. RAHEN succeeds in bridging the gap, transporting his unmistakable, analog production style into the present without diluting the aesthetic or attitude of the original era.

The result is the complete album "The Cyper Space – REWORKED" currently in the making: created track by track as standalone, modern versions that respect the DNA of the original while propelling it sonically and conceptually into the future. A project poised between nostalgia and innovation—for longtime fans, new listeners, and everyone who views electronic music as a living, constantly evolving work of art.

https://rahen.bandcamp.com/album/the-cyper-space-reworked-2

THE CYPER SPACE by Robotiko Rejekto is a defining statement of early ’90s techno-industrial culture—raw, mechanical, and unapologetically futuristic. Driven by pounding beats, distorted vocals, and cold, synthetic textures, the album captures the tension between human identity and machine dominance. At its core stand Ralf Henrich (aka RAHEN) and Kurt Ader, whose vision fused EBM aggression with the emerging hardcore techno sound.

Praised in the underground press for its uncompromising intensity, the album was described as “a relentless sonic assault that redefined the boundaries of electronic body music” and “a blueprint for the harder edge of European techno.” Critics highlighted its “hypnotic repetition and militant energy” as both confrontational and visionary—music that didn’t just follow the scene, but helped shape it.

Iconic for its raw production and dystopian aesthetic, The Cyber Space remains a landmark release—relentless, immersive, and engineered for maximum impact on the dancefloor.

CORPORATE POWER by Robotiko Rejekto marks a fierce comeback—sharpened, focused, and fully locked into its original DNA while pushing forward with renewed force. Built on commanding rhythms, stark electronic sequences, and confrontational vocal hooks, the album channels themes of control, authority, and systemic dominance into a tightly engineered sonic weapon.

At the center is Ralf Henrich (RAHEN), steering the project with a stripped-down, high-impact production approach. The return is reinforced by key collaborators: Gerhard Bopp (production and mixing), Fae Cross (vocals and lyrics), and Ava Nima (production and vocals). Together, they expand the sonic palette while preserving the project’s signature hardness and clarity.

Underground press reactions emphasized its “brutal precision and uncompromising drive,” describing it as “a calculated return that reconnects with the core of early hardcore techno while sounding unmistakably current.” Critics highlighted the “tight interplay between vocal command and mechanical rhythm” as a defining strength—tracks that function with purpose, not excess.

Iconic for its clarity, pressure, and intent, Corporate Power stands as a disciplined and forceful comeback—minimal, militant, and built for maximum impact on the dancefloor.tikorejekto.bandcamp.com/album/corporate-power.

https://rahen.bandcamp.com/album/corporate-power

Communication 87–92 by Robotiko Rejekto compiles the project’s earliest recordings into a raw, unfiltered double album—capturing the transition from late ’80s EBM to the emerging language of hardcore techno. Built on rigid sequences, analog drum machines, and a stark industrial edge, these tracks operate as original source code: functional, minimal, uncompromising.

Driven by Ralf Henrich (RAHEN), the material documents a sound in formation—where repetition becomes structure and machines define momentum.

Reissued as a limited vinyl edition on Mecanica Records, the release is placed within a curated archive of EBM and industrial classics. The label, known for its meticulous vinyl restorations of underground recordings, frames the compilation not as nostalgia, but as functional reconstruction—preserving intent while recontextualizing impact for a new generation of listeners.

Iconic as both excavation and blueprint, Communication 87–92 stands at the origin point—mechanical, direct, and built for impact.canica.bandcamp.com/album/communication-87-92

Robotiko Rejekto returns with DEAD YOUR MIND — a dark, driving electronic statement about mental erosion, digital pressure, and destruction through technology.

Rooted in the classic Robotiko Rejekto DNA of EBM, New Beat, electro, and the original Sound of Frankfurt, the track pushes the project’s industrial-futurist identity into a sharper contemporary frame. Cold sequences, mechanical tension, and a dystopian vocal attitude collide in a production that feels both retro-coded and current.

DEAD YOUR MIND is not nostalgia. It is a warning signal.

destruction through technology

control through repetition

emotion reduced to data

A new chapter in the Robotiko Rejekto universe — severe, direct, and uncompromising.

released May 13, 2026

Composed, performed and produced by RAHEN

With TANZLOKAL / RAPE, Robotiko Rejekto presents a sharp, uncompromising double release that bridges club culture, electronic aggression, and the darker edge of EBM-inspired sound design.

TANZLOKAL is a direct and driving electronic track built around RaHen’s unmistakable sense for rhythm, repetition, and dancefloor tension. Produced by RaHen and Ava Nima, the song carries the spirit of underground club culture while maintaining the raw, mechanical identity associated with Robotiko Rejekto.

The release is expanded by powerful reinterpretations from Vasi Vallis and Orange Sector, each bringing their own distinct energy to the track — from extended electronic pressure to a more compact, forceful EBM treatment.

On the second half of the release, RAPE takes a much darker and more confrontational direction. Written with lyrics by Andrea Zanaboni and Fae Cross, the track is not designed as easy entertainment, but as a disturbing, aggressive electronic statement. Across several versions by RaHen and amGod, the song moves through distorted electronics, harder rhythms, and a deliberately unsettling atmosphere.

Additional drums and special effects by Ivo Draganac add further impact, giving the material a dense, physical, and abrasive sonic character.

TANZLOKAL / RAPE stands as a release between dancefloor functionality and provocation — mechanical, direct, and emotionally severe.

Robotiko Rejekto is back.

After more than twenty years, Robotiko Rejekto returns with CRYING, a new single that reconnects directly with the band’s electronic roots while pushing its sound into the present.

The release is supported by a remix from Ivo Draganac of Arian1, known for his work with Front 242, adding an additional layer of intensity and electronic force to the track.

Ralf Henrich aka RAHEN, known from the 1980s as the creative force behind Robotiko Rejekto, Axodry, and Moskwa TV, has returned to the core identity that shaped his early work. After a long creative break from Robotiko Rejekto and numerous productions under different musical names — including MCL, Project One, and Whispering Colours — RaHen once again focuses on the unmistakable energy of electronic body music, machine rhythm, and direct emotional impact.

Over the past two decades, RAHEN has explored a wide range of musical styles as a composer and producer. His production work includes artists such as Leæther Strip, X Marks the Pedwalk, and Armageddon Dildos, as well as numerous releases connected to Zoth Ommog, New Beat, and TDI.

Out of these experiences, a new body of Robotiko Rejekto material has taken shape over the last two years. “CRYING”was selected as the first release from this new creative phase.

In the production of CRYING, RaHen looks back to the raw urgency of tracks such as “Rejekto!” and “Umsturz Jetzt!” without reducing the song to nostalgia. The track combines the mechanical force of the past with contemporary beats, updated sound design, and a darker, more mature emotional atmosphere.

CRYING stands as a symbol of the helplessness felt by idealists facing the injustice of global systems — systems that continue to resist social progress, humanitarian justice, and real human change.

With this single, Robotiko Rejekto does not simply return.

It reclaims its voice.